hb```f``a`c`gd@ A2 , ]p&V0]~l[8mNg[YUyg)&t28~rd]3fW'd:e Ian Darling recaps the years-long media cycle that drove Indigenous sportsman Adam Goodes out of the limelight in 'The Final Quarter.' By Harry Windsor. This lesson will be centred around the acclaimed 2019 documentary, The Final Quarter. The Final Quarter - Listening To Community - Years 7-9 Director Ian Darling wanted to explore what happened and why, and start the conversation about racism in Australia that Adam Goodes asked us to have. Paul Kelly wrote the end credit song "Every Day My Mother's Voice" for the film, and won Best Original Song Composed for the Screen, 2019 Screen Music Awards. And by dark ages I mean the last three years in Goodess decorated career, until his retirement in 2015. I am referring of course to the final quarter, as it were, in the career of Sydney Swans star Adam Goodes, who chalked up a whopping 372 games in total the most of any Indigenous player in history. Music, still images and diction-ary definitions have been added to heighten the message of The Final Quarter. Late 2019: Launched the educational strategy in partnership with the Australian Human Rights Commission, Reconciliation Australia and Cool Australia, including 46 lessons for years 5-12 on dignity, cultural pride, racism, truth-telling, respect, resilience, and mental health. The Final Quarter is a 2019 Australian documentary, directed by Ian Darling and produced by Shark Island Productions, about the final stages of the Australian football career of Adam Goodes, during which he was the target of repeated booing by opposition fans. Our 250 Analysts and SMEs offer a high level of expertise in data collection and governance using industrial techniques to collect and analyze data on more than 25,000 high-impact and niche markets. Screen Australia acknowledges the Traditional Custodians of the land on which we work and recognises their continuous connection to culture, community and Country. +: 410@ v[[J2s1nY(x1F?F^V,pnhpi|&N.]L*^{F\`\00-KPaoPJ00 @ n` endstream endobj 345 0 obj <>/Filter/FlateDecode/Index[25 274]/Length 31/Size 299/Type/XRef/W[1 1 1]>>stream We want all Australians to feel they belong and that they have a stake in the game. Explores injustices faced by Aboriginal and Torres Strait Islander peoples, their rights and the continuing journey towards reconciliation. Camera angles refer to the tilt of the camera in relation to the scene and the characters. The documentary intertwines media clips from Goodes' games, general AFL coverage, news stories, press conferences and interviews from the era to paint a heartbreaking picture of the ex-Swans captain's experiences. Director: Ian Darling These should help both aspiring and professional cinematographers create the most impactful and engaging films and music videos. He publicly called out racism, was named Australian of the Year, was accused of staging for free kicks, and performed an on-field war dance celebration. [33][34], The Western Bulldogs released their own statement about the documentary. Cool Australia has produced 52 lessons designed for Years 5-12 that investigate racism, privilege, truth-telling, cultural pride, resilience, values and dignity. Using only archival footage aired at the time, The Final Quarter holds a mirror to Australia and is an opportunity to reconsider what happened on and off the football field. Cool celebrates the world's oldest living culture and acknowledges that sovereignty was never ceded. While we await new stock schools, please tap WATCHNOW, or others tap RENT/BUY for homeviewingoptions. Production companies: Thirty Seven Films, Shark Island Productions Within the first three months of the educational release, the film: had been seen within ~25% of secondary schools in Australia and became the third-most watched content on ClickView in 2019, including 1,073 institutions streaming the film and a total 22,294 views. Those unfamiliar with Australian football are unlikely to become adherents after watchingThe Final Quarter, a documentary that weaves together archival footage to tell the story of Indigenous player Adam Goodes, whose outspokenness about racism led to a cavalcade of jeers and finally to his exit from the game. consider the various ways mood and meaning are created in archival documentaries. At the centre of a maelstrom, confronted by all kinds of ugly behaviour, the player himself remains composed and eloquent, offering nuanced perspectives. Adam Goodes was a champion AFL footballer and Indigenous leader. The Final Quarter opens with a clip of Sam Newman frothing from the mouth and berating Goodes on The Footy Show. We appreciate your feedback. An in-depth look at casual racism and racial vilification in Australia. 0000103450 00000 n trailer <<97663C5A09E14C69BCC8D3AEA1655A53>]/Prev 135910/XRefStm 1644>> startxref 0 %%EOF 346 0 obj <>stream H\]0+r9s1Mr`na>aVPxH9y^vFujf}:seVM[RY.tqxUs=,14ahz9pQjTM8F{u *M\o[6WuE?K2]Oj(tAIz"]3Cshm[SvYam bgYBv4P !f@sA[h5iiW 4$,I$apw9e:N\Y4||fEp1.3 gi.i4,,,9t:y.#;Gv(9Zt$i5DV90a$IY ~?'y?{}RG}xqLtcYUz~ 3l% endstream endobj 312 0 obj <> endobj 313 0 obj <>stream Director Ian Darling joins us to discuss, ://fbiradio.com/ian-darling-yvonne-sampson-last-days-adam-goodes-career/, https://thefinalquarterfilm.com.au/about/. Available free with ClickVIew subscription at the film website www.thefinalquarterfilm.com.au. Includes investments, loans and grants. 0 Qq endstream endobj 309 0 obj <> endobj 310 0 obj <> endobj 311 0 obj <>stream Explores Australias sporting culture with a focus on race relations and cultural expression. Use these age-appropriate lessons to guide your students through the process of viewing the filmin its entirety. This despite the nuance with which he spoke about the incident, and his carefulness to lay the blame on her environment, rather than on the girl herself. Use the film to educate young people about racial vilification at a grassroots level and continue outreach to ensure The Final Quarter continues to have a long-term and lasting legacy. It received extensive media coverage, with over 200 articles and 330 pages of media appearing in all media outlets including The Age, SMH, Herald Sun, The Australian, The Guardian, The Daily Telegraph, ABC Insiders, etc. Goodes himself recedes as the film goes on and the media barrage continues. Re-examines the incidents that marked the final 3 years of Indigenous footballer Adam Goodes' playing career. 0000003655 00000 n Director Ian Darlings film is crafted using only archival footage aired at the time, which has been expertly edited. The cheers became boos as the crowds turned on him. Theyre booing you because youre acting like a jerk, he bellows, going on to ridicule the league for promoting diversity-related initiatives and declaring that, as a white heterosexual male, he is waiting for my day to come. Oz musicians Paul Kelly and Dan Sultan provide an original ballad for the films bleak coda, which brings the saga very much into the present tense. 0000001984 00000 n Further, the film has already achieved positive educational outcomes. Cool Australia has produced 52 lessons designed for Years 5-12 that investigate racism, privilege, truth-telling, cultural pride, resilience, values and dignity. Some elements that are used are mise en scene, cinematography, editing, and the soundtrack. [17] He did not attend the Grand Final, where retiring players traditionally take part in a parade, one of only a handful of players to decline this invitation since the parade for retiring players was established. 0000011178 00000 n 0000067425 00000 n 0000004542 00000 n The filmmaker's sympathies are not in doubt, though his decision to avoid talking heads - relying instead on contemporaneous television coverage - makes his . 0000095341 00000 n Whether tearing up football fields across during his 372-game stint for the Sydney Swans, or standing up against prejudice both in the AFL and in Australian in general, Adam Goodes' name has been splashed across the headlines plenty of times over the past two decades. The AFL issued an unprecedented and extraordinary response on the night of the films premiere, apologising for the treatment that Adam Goodes had experienced and for not doing enough. Adam Goodes is a champion AFL footballer and Indigenous leader who became a lightning rod for an intense public debate and widespread media commentary that divided the nation. Tracy works closely with parents and teachers to support young people with issues such as anxiety, learning needs, depression, confidence, and behavioural challenges. 0000067911 00000 n Every film uses different techniques to create meaning throughout the film. He emerges before the fade-out as a thoughtful man, and not remotely strident, but one powerless to control snowballing events. Documentary Australia at Sydney Film Festival, https://thefinalquarterfilm.com.au/media-articles/, Early-Mid 2019: Screenings with dozens of influential organisations and individuals including peak Indigenous bodies, the Australian Human Rights Commission, the AFL including the Indigenous Players Group and all 18 AFL Clubs, May 2019: Media screenings for more than 100 journalists as a part of a proactive media strategy to reach a mass audience, 7 June 2019: Premiere screenings at the Sydney Film Festival to sold out audiences, receiving unprecedented demand and extensive media coverage, followed by a number of other film festivals, 19 July 2019: Broadcast nationally on Channel 10 (July 18) and WIN- accompanied by a special on, 20 September 2019: the film became freely available to schools, sporting clubs and community organisations and anyone could access the resources, stream the film, or request a copy of the DVD, Community, corporate, school and sporting club screenings were facilitated, with Shark Island staff attending over 95% of the screenings to participate in panels and Q&As, 27 September 2019: the Home Entertainment (digital) release began. During the last three years of his career, Goodes was named Australian of the Year, accused of staging for free kicks, and performed an on-field war dance celebration. Editor: Sally Fryer 0000008383 00000 n Won numerous awards, including the Film Critics Circle of Australia Best Feature Documentary 2019 Winner, AACTA Award for Best Editing in a Documentary 2019 Winner, Asian Academy Creative Awards Best Documentary 2019 Winner, Had a total of four screenings on Network Ten and WIN to over one million audiences across the broadcast and 10Play Catch Up. %PDF-1.4 % 299 48 Upon hearing the abuse, Goodes pointed the girl out to security, who ejected her from the stadium. This requires planning among multiple teachers and across specialist streams. The statement also said that the football community "pledged to continue to fight all forms of racism and discrimination, on and off the field". Following the screening, the ABC's Fran Kelly talked with Darling, ex-footballer Michael O'Loughlin and AFL Inclusion and Social Policy Manager Tanya Hosch about the film, Adam Goodes . You must be logged in to view this form. 0000071725 00000 n The second Goodes-focused doco, The Australian Dream, will surface in August. THE FINAL QUARTER April 2019 PRODUCTION CREDITS Director Ian Darling Producers Mary Macrae & Ian Darling Editor Sally Fryer Executive Producer Malinda Wink Executive Producer Mark Monroe Executive Producers Mark Nelson & Will Vicars Archive Researcher Lindy Boylan Composer Paul Charlier Sound Designer Wes Chew Graphics Paul Ducco Edit Assistant Tracy enjoys supporting the educational, social, emotional, and mental health needs of young people and their families. 2022 Shark Island Institute | PrivacyPolicy. At various points during this film I felt cold shivers, and left the experience shaken not by what The Final Quarter says about the sport of AFL, but what it suggests about this country. This powerful film captures a period from 2013-2015 focusing on leading Sydney Swans AFL player Adam Goodes in the final years of his football career. How did it come to this? 299 0 obj <> endobj xref This is what was seen. Shortly this will also incorporate project-specific market and festival support provided by Screen Australia since its inception in July 2008. 0000009450 00000 n Why might companies like Shark Island Productions be beneficial for the Australian media industry and Australian audiences in general? Using only archival footage aired at the time, The Final Quarter holds a mirror to Australia and is an opportunity to reconsider what happened on and off the football field. 0000004288 00000 n Andrew Bolt, Alan Jones and Sam Newman haunt Ian Darlings film like ranting apparitions. As the name suggests, The Final Quarter focuses on the last stages of Goodes' time in the AFL when he was verbally attacked by spectators and high-profile media figures, relentlessly booed at games, put under immense scrutiny for celebrating his Indigenous heritage, accused of staging for free kicks and ultimately chose not to play for a period due to the toll he was under. He did not participate in a final parade for retiring players as he feared that he would be booed again. Goodes, an Aboriginal Australian, was drafted by the Sydney Swans in the 1997 AFL Draft and went on to have a successful career with the Swans, featuring in their 2005 and 2012 premiership teams and being awarded a number of accolades for his performances including the AFL Rising Star award in 1999,[1] the Brownlow Medal (2003 and 2006),[2] the Bob Skilton Medal (2003, 2006 and 2011),[3] and All Australian selection (2003, 2006, 2009 and 2011). Given that Adam Goodes retired in 2015, why do you think Shark Island Productions thought it important to share the Adam Goodes story with audiences four years later? Make Concrete Playground yours with My Playground. Using only archival footage aired at the time, the film holds a mirror to Australia and is an opportunity to reconsider what happened on and off the footballfield. For ease of use we have organised this information in Primary and Secondary sections. "When you see the three years unfolding, we can now see this is what racism looks like and what it sounds like," says director Ian Darling. The Final Quarter Teaching Resources The Final Quarter Curriculum Resources Fighting against Racism through Education. Given the content, it is also important for teachers to communicate with parents and guardians of Aboriginal and Torres Strait Islander students before playing the film and/or engaging with the teaching and learning resources. Quick summary: Retired AFL star Adam Goodes is known to many for his resilient journey in the face of detrimental treatment by AFL spectators and the media beginning in 2013. 'The Final Quarter': Film Review. Way back in the distant dark ages of Australian history those atavistic times when the nation was young, barbaric and bigoted one of the greatest players in one of the countrys most cherished sports leagues ended his career not in fanfare, but as a figure at the centre of an ugly debate about racism. If it was hard to mount that fingers-in-the-ears argument back then, it seems almost impossible now though the peanut gallery of outspoken conservative commentators, who haunt this film like ranting apparitions (among them Andrew Bolt and Alan Jones), are hardly likely to show contrition any time soon. [8] Many clubs and players in the AFL supported Goodes in the week of his leave. Narragunnawali: Reconciliation in Education (Reconciliation Australia). One thing the film used was Mise en scene. Narragunnawalis online platform is free to access and provides practical ways to introduce meaningful reconciliation initiatives in the classroom, around the school and with the community. Cool Australias curriculum team continually reviews and refines our resources to be in line with changes to the Australian Curriculum. Next steps in 2020: Distribute a DVD and educational resources to every principal of every high school in Australia, as well as every junior and senior sporting club with access to the film, and continue community outreach. Revelation Perth International Film Festival Inc, Distinctive storytelling for the big screen, Ambition, creativity, audience engagement, Quality, cultural value, innovation, diversity, Opportunities for First Nations storytellers, Insights into challenges facing the industry, International awards for Australian projects and people, Australian screenings at international festivals, International Pitching Events and Talent Labs, International Marketing Support: Festivals and awards, All Screen Australia production applications. 0000062288 00000 n [30] Garry Maddox, for the Sydney Morning Herald says "It is a powerful work that stirs deep emotions",[31] while Screenhub's Sarah Ward calls it 'crucial'. Screenwriters: Mark Monroe, Ian Darling The fact its ongoing was underlined by an apology to Goodes issued by the sports governing body that directly preceded the films Sydney Film Festival premiere, and another documentary on the same subject is set to open the Melbourne International Film Festival in August. Despite much of the material being confronting, The Final Quarter is also inspiring, with a message that each of us will be remembered ultimately for two things: what we say and what we do. 0000001644 00000 n Keywords: film, documentary, analysis, analyse, media, The Final Quarter, archival, footage, conventions, Aboriginal and Torres Strait Islander, AFL, footy, football, perspective, point of view, techniques, editing. [28], The documentary was widely praised by critics. When the football crowds turned on him, the Brownlow medallist left his beloved game. It includes footage of the incidents, as well as interviews and comments from media personalities, politicians, players, officials, and members of the public. It begins in 2013 when Goodes, at that point a veteran of the game, singled out an opposing teams supporter for calling him an ape during a match. 0000052832 00000 n Let us know what you like or don't like about this activity: Sorry. Throughout 2019: worked through social media company 33 Creative to engage with an online audience, maximise positive engagement and manage racist or bullying interaction. 0000010553 00000 n understand the definition of archival documentary and the process of selection and omission to construct meaning for the audience. The game did not do enough to stand with him, and call it out. Music: Paul Charlier Reconciliation in Education is a program for Reconciliation Australia that supports all schools and early learning services in Australia to develop environments that foster a higher level of knowledge and pride in Aboriginal and Torres Strait Islander histories, cultures and contributions. Goodes said after the incident that the dance was based on one he learned from under-16s Indigenous team the Flying Boomerangs, and that it was intended as an expression of Indigenous pride during Indigenous Round, not as a means of offending or intimidating the crowd. The AFL Players Associations Indigenous Advisory Committee also issued a statement, and there was an outpouring of emotion from the Indigenous players who called for all to fight against racism. The director of the film, Ian Darling, led the production team in deciding what to omit and what to include from the many televised me-dia segments and newspaper stories available. Adam Goodes, captain of the Sydney Swans, at the end of the 2012 AFL grand final at the MCG. Explores the power and influence of the Australian media and its responsibilities, including the broader publics engagement with social media. Director's Statement. The Final Quarter is a 2019 Australian documentary, directed by Ian Darling and produced by Shark Island Productions, about the final stages of the Australian football career of Adam Goodes, during which he was the target of repeated booing by opposition fans. In addition, there was an incredible response and conversation that occurred on social media, with the film trending in the top-ten mentions in Australia for days. In April 2019, on the eve of the documentary's premiere, the AFL and all of its 18 clubs issued an unreserved apology for the sustained racism and events which drove Goodes out of the game. ay back in the distant dark ages of Australian history those atavistic times when the nation was young, barbaric and bigoted one of the greatest players in one of the countrys most cherished sports leagues ended his career not in fanfare, but as a figure at the centre of an ugly debate about racism. Directors statement Shark Island Production. identify different documentary making techniques. Third party web links are provided for your convenience only. Documentary Australia acknowledges the Australian Aboriginal and Torres Strait Islander peoples of this nation. On this Wikipedia the language links are at the top of the page across from the article title. By calling out racism, and by refusing to be put inside a box where the powers that be might have liked him to remain, Goodes unquestionably made life harder for himself. An Aboriginal player, and number 37 for the Sydney Swans, Adam Goodes was singled out for verbal abuse, booing and jeering by spectators from a range of clubs during the last three yea. 0000007435 00000 n Project-specific support provided by Screen Australia's development programs since the agency's inception in July 2008. Our Watching the Film lessons are designed to support you in facilitating this process. 0000091357 00000 n 0000010667 00000 n Unsurprisingly, it's also both moving in displaying the AFL champ's dignified response to such horrors, and infuriating in its thorough examination of his ordeal. Failure to call out racism and not standing up for one of our own let down all Aboriginal and Torres Strait Islander players, past and present. Extraordinary media coverage and audience response across newspapers, radio and TV, largely praising the way the film objectively revealed the truth about the last three years of Adam Goodes career. Darling presents a self-consciously larrikin culture in which the right to provoke is sacrosanct, and perceived pomposity is eagerly sniffed out. Unit: The Final Quarter - Watching The Film - Years 5-12 Activities for this Unit Tuning in About the Film Adam Goodes is a champion AFL footballer and Indigenous leader who became a lightning rod for an intense public debate and widespread media commentary that divided the nation. Students will explore how the editor and director created mood and message for the audience, and appreciate how archival documentary can powerfully communicate public messages of importance. Australian documentary filmmaker Ian Darling re-examines the incidents that marked the final 3 years of footballer Adam Goodes' playing career. The spectator, who turned out to be a 13-year-old girl, was promptly escorted from the stands by security, but in the aftermath Goodes was accused of victimizing and publicly humiliating a teenager. [27], Darling also announced that the film will be made freely available to schools and clubs across Australia. Synopsis I am referring of course to the final quarter, as it were, in the career of Sydney Swans star. Addressing the media the day after famously being called an ape by a 13-year-old girl in the stands, for instance, Goodes rightly criticises the teenagers behaviour while calling for compassion insisting that its not her fault, that kids are innocent and we need to support her. [8][9][10], During a match against Carlton in May 2015, again during the Indigenous Round, Goodes celebrated a goal by performing an Aboriginal war dance, in which he mimed throwing a spear in the direction of the Carlton cheer squad. Goodess role in attempting to make Australia a more educated and tolerant country will be remembered long after all the marks, kicks, and tackles have been forgotten. [35] The Hawthorn players all wore number 37, Goodes' jersey number, during their warm ups before their match against Sydney on 21 June 2019 in a gesture of support.[28]. Directed by Ian Darling, and solely compiled from archival material in a technique reminiscent of another great sports doco in recent years, Senna it's a powerful and impassioned chronicle of the treatment Goodes received from crowds and commentators alike. The filmmakers sympathies are not in doubt, though his decision to avoid talking heads relying instead on contemporaneous television coverage makes his case stronger by giving all the fulminators enough rope to hang themselves. Construct meaning for the Australian media industry and Australian audiences in general the abuse Goodes! 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